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This was the lunatic genius of Seinfeld and series co-creator Larry David, the masters of their domain.
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Not even TV’s best dramas spun such deliciously intricate scripts on such fragile yet universal premises. “Close talkers.” “Man hands.” “Shrinkage.” “Soup Nazi.” “Spongeworthy.” Mark our words: “Chinese restaurant” will one day be as legendary as “chocolate factory” - if it’s not already. In short time, Seinfeld transcended sitcom status to become a handy cultural guide for each of us, tagging life’s none-too-precious moments with a new language we would all come to understand. When Jerry, Elaine, George and Kramer ( Jerry Seinfeld, Julia Louis-Dreyfus, Jason Alexander and Michael Richards) obsessed over the seemingly mundane, we roared with recognition. Never before had Pez and death (by toxic envelopes, of course) co-existed in the same comedic universe. The hilariously insensitive beauty of Seinfeld is that it was about everything. The conventional wisdom celebrating its brilliance was always that Seinfeld was, famously and gloriously, a show about nothing. Truth is, the only thing silly is struggling, still, to completely explain the joys of Vitameatavegamin or the skillful anarchy of that wine vat.
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You could set an atomic clock by Ball’s comedic timing, and her shenanigans with Vance are echoed in just about every dynamic duo in TV comedy history, from Mary and Rhoda through Laverne and Shirley right up to Will and Grace. We watch I Love Lucy for the same reasons audiences watched five decades ago: to see a genius - a true American original - at work and play. We can’t argue for social relevance or emotional depth, but then Lucy never did either. But doesn’t Lucy - so pre-feminist, so pre- everything, for that matter - seem a little silly now? Empty-headed? Not a chance. Hard to believe how young TV was when Lucy, Ricky, Ethel and Fred - the legendary troupe of Lucille Ball, Desi Arnaz, Vivian Vance and William Frawley - set the standard for wacky antics, harebrained schemes, domestic humor and outrageous shtick, pretty much inventing TV comedy on the spot. Brilliantly polished in its frantic hilarity, Lucy got there first and did what it did - and what so many others have tried to do - best.